Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Sweet Bowl - Patrick Caulfield
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A 1973 screenprint by Patrick Caulfield, featuring a bowl of sweets rendered in bold, flat colours and clean, graphic lines.
Patrick Caulfield is known for his precise, graphic approach to the still life genre. Sweet Bowl, produced in 1973, demonstrates his characteristic use of bold, black outlines and flat areas of colour. By stripping away unnecessary detail, Caulfield focuses the viewer on the essential form of the objects. The composition is stark, featuring a simple bowl filled with sweets resting on a circular table. The background is a uniform, cool blue, which creates a sense of detachment from a traditional domestic setting.
Caulfield often employed commercial printing techniques, such as screenprinting, to achieve his clean, hard-edged aesthetic. This method removes the evidence of the artist's hand, resulting in a smooth, impersonal finish that aligns with the broader interests of the Pop Art movement. Despite the simplicity of the subject, the work possesses a distinct sense of order and balance. The contrast between the dark blue of the bowl and the brighter, varied colours of the sweets provides a subtle visual tension. Caulfield invites the viewer to consider the object as a sign or symbol rather than a realistic depiction. His work occupies a space between representation and abstraction, where the clarity of the line is the primary concern. This print is a clear example of his ability to transform mundane, everyday items into graphic icons through rigorous simplification and a disciplined approach to colour.
Política de devoluciones
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
Sweet Bowl - Patrick Caulfield
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Patrick Caulfield
Caulfield left school at fifteen and got a job as a filing clerk at Crosse and Blackwell, the food company. He was moved to the design studio, where he washed brushes and varnished chocolates for display cases. He decided to become an artist after watching the 1952 film Moulin Rouge about Toulouse-Lautrec.
He joined the RAF at seventeen for national service, then studied at the Royal College of Art from 1960 to 1963, alongside Hockney, Allen Jones, R.B. Kitaj, and Derek Boshier. The 1964 New Generation exhibition at the Whitechapel Gallery tagged him as Pop Art. He rejected the label for the rest of his life, calling himself a formal artist.
His paintings use bold, flat outlines and blocks of colour. They depict interiors, still lifes, restaurants, and domestic scenes with a deadpan quality that sits somewhere between commercial illustration and painting. The spaces are often empty or nearly so. A potted plant, a wine glass, a candle: the objects are ordinary but the treatment makes them strange. He was nominated for the Turner Prize in 1987. David Bowie and Charles Saatchi both collected his work. He died in 2005. The street in Acton where he was born was renamed Caulfield Road.
He joined the RAF at seventeen for national service, then studied at the Royal College of Art from 1960 to 1963, alongside Hockney, Allen Jones, R.B. Kitaj, and Derek Boshier. The 1964 New Generation exhibition at the Whitechapel Gallery tagged him as Pop Art. He rejected the label for the rest of his life, calling himself a formal artist.
His paintings use bold, flat outlines and blocks of colour. They depict interiors, still lifes, restaurants, and domestic scenes with a deadpan quality that sits somewhere between commercial illustration and painting. The spaces are often empty or nearly so. A potted plant, a wine glass, a candle: the objects are ordinary but the treatment makes them strange. He was nominated for the Turner Prize in 1987. David Bowie and Charles Saatchi both collected his work. He died in 2005. The street in Acton where he was born was renamed Caulfield Road.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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