Portrait of Mrs. Ernest G. Raphael, nee Florence Cecilia Sassoon - John Singer Sargent
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A refined 1906 portrait by John Singer Sargent, featuring Florence Cecilia Sassoon in a dark, atmospheric setting with delicate pearl jewellery.
John Singer Sargent painted this portrait of Florence Cecilia Sassoon, later Mrs. Ernest G. Raphael, in 1906. The work captures the subject seated in a formal interior, positioned against a dark, atmospheric background that directs the viewer's attention to her face and the luminous quality of her attire. Sargent employs a restrained palette, relying on the contrast between the deep black of the subject's gown and the pale, reflective tones of her skin and jewellery.
The sitter is depicted wearing a high-collared pearl necklace and a brooch, which catch the light and provide a sense of texture against the fabric of her dress. Her posture is composed, with her hands resting gently on a small object in her lap. The chair, featuring carved wooden armrests, adds a sense of physical weight and period-specific detail to the composition. Sargent's brushwork remains controlled, focusing on the play of light across the surfaces of the pearls and the velvet-like quality of the gown.
This portrait reflects the conventions of early twentieth-century society portraiture, where the artist balanced the representation of individual likeness with the display of social status. The dark, moody environment is characteristic of Sargent's studio work from this period, where he often used shadow to create a sense of depth and focus. The painting remains a clear example of his technical ability to render light and material, providing a record of the sitter's appearance during the Edwardian era. The work is currently held in a private collection, representing a specific moment in the artist's career as he moved away from large-scale public commissions toward more intimate portrait studies.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Portrait of Mrs. Ernest G. Raphael, nee Florence Cecilia Sassoon - John Singer Sargent
Artist Biography
John Singer Sargent
He was born in Florence to American expatriate parents and grew up moving between European cities. He never lived in America until he was middle-aged. He studied under Carolus-Duran in Paris, who taught him to paint directly from observation without underdrawing: load the brush, find the right tone, put it down in one stroke. The method required extraordinary hand-eye coordination and supreme confidence. Sargent had both.
Madame X, painted in 1884, nearly ended his career. The portrait of Virginie Amelie Avegno Gautreau, an American socialite in Parisian society, showed her in a black dress with one shoulder strap hanging off. The Salon audience was scandalised. Sargent repainted the strap in its proper position but the damage was done. He left Paris for London and rebuilt.
In London he became the portraitist of choice for the Anglo-American upper class. The technique is astonishing: he painted quickly, in long single-session sittings, and the brushwork has a fluency that makes other portraitists look laborious. The Wyndham Sisters, Lady Agnew of Lochnaw, and the portrait of Theodore Roosevelt show what he could do at full stretch.
He eventually did stop. After 1907 he largely abandoned portraits for watercolours and the murals at the Boston Public Library and the Museum of Fine Arts. The watercolours, painted on travels through Italy, Spain, and the Middle East, are looser and freer than the portraits and possibly better. He died in London in 1925, at sixty-nine.
¿Por qué elegirnos?
Garantía de entrega sin daños
Envío rápido
Materiales de calidad de museo
También te puede interesar