Net Weight - Jean-Michel Basquiat
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A powerful 1981 work by Jean-Michel Basquiat, featuring his signature blend of raw gestural marks, cryptic symbols, and mask-like figures on canvas.
Net Weight (1981) is a characteristic example of Jean-Michel Basquiat's early period, executed during his rapid ascent within the New York art scene. The work displays the artist's signature approach to layering, where raw, unprimed canvas serves as a base for a chaotic assembly of marks, symbols, and text. Basquiat employs a combination of acrylic paint, oilstick, and spray paint to construct a visual language that draws from diverse sources, including anatomical diagrams, urban graffiti, and historical references.
The composition is divided into distinct zones of colour and activity. To the left, blocks of red and yellow provide a backdrop for mask-like figures, a recurring motif in the artist's work. These figures, often crowned, suggest a preoccupation with power, identity, and the status of the individual within a complex social structure. The right side of the canvas is dominated by darker, more gestural forms, contrasted against a stark white field. Throughout the piece, Basquiat incorporates grids, crossed-out words, and cryptic notations, which function as both structural elements and conceptual interruptions.
Basquiat's technique involves a deliberate rejection of traditional painterly polish. He allows drips, smudges, and exposed canvas to remain visible, maintaining a sense of immediacy and urgency. The inclusion of the title 'PESO NETO' and the date 'DEC 25 81' at the bottom of the canvas anchors the work in a specific moment, while the surrounding iconography remains open to interpretation. This piece demonstrates the artist's ability to synthesise disparate cultural influences into a cohesive, albeit frenetic, visual statement. The work remains a primary example of how Basquiat utilised the canvas as a site for social commentary and personal expression, blending the aesthetics of the street with the traditions of fine art.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Net Weight - Jean-Michel Basquiat
Artist Biography
Jean Michel Basquiat
He had no formal art training. He dropped out of school at seventeen and slept on park benches and friends' floors. He sold hand-painted postcards and t-shirts. He gate-crashed a restaurant where the critic Henry Geldzahler was eating with Andy Warhol and handed them a postcard. Warhol bought one. The art world opened.
By twenty-one he was showing in galleries. By twenty-two he was the youngest artist ever invited to Documenta in Kassel. The paintings are dense, layered, furious: text fragments, anatomical drawings, crown symbols, crossed-out words, references to Black history, jazz, boxing, anatomy textbooks, and street signage. They look unplanned but they are not. The crossed-out words are deliberate. He wanted you to read them, then register the erasure.
He and Warhol collaborated on a series of paintings in 1984 and 1985. The relationship was complicated by the art market's tendency to treat Basquiat as Warhol's protege rather than his peer, and by the fact that Warhol, older and more established, got better reviews for the joint work. Basquiat pulled away.
He died of a heroin overdose in 1988, at twenty-seven. His paintings now sell for over 100 million dollars. He would have found that both satisfying and absurd.
¿Por qué elegirnos?
Garantía de entrega sin daños
Envío rápido
Materiales de calidad de museo
También te puede interesar