Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
A fine art print of the Isleworth Mona Lisa, a portrait associated with the circle of Leonardo da Vinci, featuring a younger sitter and distinct architectural framing.
The Isleworth Mona Lisa is a portrait that has generated significant debate within the art historical community. It depicts a woman in a pose similar to the famous version housed in the Louvre, yet the subject appears younger. The painting features a sitter positioned between two columns, a compositional choice that differs from the Louvre version where the columns are only partially visible at the edges of the frame. The background consists of a remote, atmospheric view of a bridge and distant hills, rendered in the sfumato technique characteristic of the period.
Acquired by Hugh Blaker in 1913 from a manor house in Somerset, the work was kept in his studio in Isleworth, London, which provided the name by which it is now known. The painting has been the subject of various technical analyses regarding its authorship and date of origin. Proponents of its attribution to Leonardo da Vinci point to the stylistic similarities in the facial features and the application of paint, while other scholars suggest it may be the work of a contemporary or a later follower. The canvas exhibits a specific handling of light and shadow that aligns with the practices of the Florentine school during the early sixteenth century.
This fine art print captures the tonal qualities of the original work, preserving the subtle transitions between light and dark across the sitter's face and hands. The composition maintains the quiet, contemplative mood associated with the portraiture of the era. By offering this reproduction, Solis Prints provides an opportunity to examine a work that occupies a unique position in the history of Renaissance studies. It remains a subject of ongoing investigation, inviting viewers to consider the complexities of attribution and the stylistic conventions of the Italian Renaissance.
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiales de calidad de museo
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