Eclipse - George Stubbs
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A classic equine portrait by George Stubbs featuring the undefeated racehorse Eclipse, captured with anatomical precision and calm, naturalistic detail.
George Stubbs remains the pre-eminent painter of horses in the eighteenth century. His scientific approach to anatomy, informed by his own dissections and studies, allowed him to capture the physical presence of his subjects with unparalleled accuracy. This work depicts Eclipse, a legendary racehorse who remained undefeated throughout his career. The horse is shown in profile, a common compositional choice for Stubbs, which allows for a clear view of the animal's musculature and proportions.
The horse stands in a calm, controlled environment, held by a groom. The background features a simple structure and a muted sky, which ensures the viewer focuses entirely on the animal. Stubbs avoids unnecessary ornamentation, preferring to let the natural form of the horse dictate the composition. The lighting is soft, casting gentle shadows that define the horse's coat and the texture of the ground.
Stubbs was not merely a painter of animals, but a meticulous observer of nature. His work reflects the Enlightenment interest in classification and empirical study. By documenting the specific features of Eclipse, he provides a record of a celebrated animal that dominated the racing world during the 1760s. The groom, dressed in period attire, provides a sense of scale and context, grounding the scene in the reality of eighteenth-century stable life. The print captures the quiet dignity of the horse, reflecting the artist's deep understanding of equine behaviour and anatomy. This image is a fine example of the intersection between sporting art and the rigorous observation that defined Stubbs's career.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Eclipse - George Stubbs
Artist Biography
George Stubbs
He was born in Liverpool, the son of a currier (a leather worker). He was largely self-taught. In his twenties he spent eighteen months in a farmhouse in Horkstow, Lincolnshire, dissecting horses. He suspended the carcasses from the ceiling using hooks and pulleys, peeled back the layers of skin and muscle, and drew every stage. The results were published as The Anatomy of the Horse (1766), one of the most accurate anatomical studies ever produced by an artist. The book established his reputation.
His horse portraits are commissioned works: wealthy landowners wanted their racehorses painted. Stubbs obliged, but his understanding of equine anatomy gave the paintings a presence that other sporting painters could not match. Whistlejacket, a life-size portrait of a chestnut stallion rearing against a plain background, is among the most striking animal paintings ever made. There is no landscape, no rider, no context. Just the horse.
He also painted dogs, exotic animals (a zebra, a rhinoceros, a moose), and rural scenes with labourers and haymakers. He experimented with enamel painting on ceramic tablets made by Josiah Wedgwood. He was elected to the Royal Academy but refused to submit a diploma piece, which meant he was never made a full Academician. He died in 1806, at eighty-one.
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