Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Dog in Motion - Joseph Stella
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A dynamic study of a dog in motion, rendered with expressive brushwork and an earthy palette by Joseph Stella.
Joseph Stella, an Italian-born American painter, is widely recognised for his depictions of the industrial dynamism of New York City. However, his body of work also includes smaller, more personal studies that reveal his technical range. Dog in Motion captures a fleeting moment of animal activity, rendered with a directness that contrasts with his more complex Futurist compositions. The subject is depicted in profile, with the head lowered and the body angled to suggest forward momentum.
The brushwork is loose and expressive, prioritising the capture of energy over anatomical precision. Stella uses a palette dominated by earthy ochres, muted browns, and a striking touch of green near the jaw, which draws the eye to the animal's action. The background is a flat, warm tone that pushes the figure forward, removing any sense of specific environment. This focus on the essential form of the dog reflects the artist's interest in the mechanics of movement, a theme he explored throughout his career in various subjects.
This piece offers a glimpse into the artist's private observations. It lacks the rigid geometry of his larger cityscapes, yet it maintains a sense of urgency. The canvas texture remains visible through the paint, adding a tactile quality to the image. As a study, it functions as a record of a momentary observation, preserved through quick, decisive strokes. The composition is balanced, with the weight of the dog's form anchored by the darker tones at the base. It is a work that rewards close inspection, revealing the artist's ability to distil a subject down to its most active components without unnecessary detail.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
Dog in Motion - Joseph Stella
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Joseph Stella
Stella accompanied Marcel Duchamp to a plumbing supply store in 1917 to buy the urinal that became Fountain. He was there at one of the defining moments of twentieth-century art, and it was not even his most consequential encounter with a piece of American infrastructure.
He was born Giuseppe Michele Stella in Muro Lucano, near Potenza, Italy, in 1877. His father and grandfather were attorneys. In 1896 he emigrated to New York to study medicine, following his older brother, a doctor, but abandoned that plan almost immediately and enrolled at the Art Students League, then studied under William Merritt Chase. A return trip to Europe in 1909 exposed him to Fauvism, Cubism and Futurism at exactly the right moment.
The Brooklyn Bridge became his obsession. He first painted it in 1919 after standing alone on the promenade late at night, listening to what he described as "the underground tumult of the trains in perpetual motion" and "the shrill sulphurous voice of the trolley wires". He later wrote that he felt "as if on the threshold of a new religion". His Brooklyn Bridge paintings, of which he made several versions over two decades, use Futurist fragmentation and Gothic verticality to transform an engineering structure into something approaching the sacred.
He was never fully at home in America. He spent long periods in Europe, North Africa and the Caribbean, producing collages from urban ephemera (paper scraps, wrappers with visible branding, bits of street life) that were never exhibited in his lifetime and only discovered by his circle after his death. He died in New York in 1946, at sixty-nine.
He was born Giuseppe Michele Stella in Muro Lucano, near Potenza, Italy, in 1877. His father and grandfather were attorneys. In 1896 he emigrated to New York to study medicine, following his older brother, a doctor, but abandoned that plan almost immediately and enrolled at the Art Students League, then studied under William Merritt Chase. A return trip to Europe in 1909 exposed him to Fauvism, Cubism and Futurism at exactly the right moment.
The Brooklyn Bridge became his obsession. He first painted it in 1919 after standing alone on the promenade late at night, listening to what he described as "the underground tumult of the trains in perpetual motion" and "the shrill sulphurous voice of the trolley wires". He later wrote that he felt "as if on the threshold of a new religion". His Brooklyn Bridge paintings, of which he made several versions over two decades, use Futurist fragmentation and Gothic verticality to transform an engineering structure into something approaching the sacred.
He was never fully at home in America. He spent long periods in Europe, North Africa and the Caribbean, producing collages from urban ephemera (paper scraps, wrappers with visible branding, bits of street life) that were never exhibited in his lifetime and only discovered by his circle after his death. He died in New York in 1946, at sixty-nine.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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