Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Giclée de archivo
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Pago seguro
Hecho bajo pedido
An early work by Pierre-Auguste Renoir, this 1867 painting depicts the goddess Diana in a naturalistic setting, reflecting the artist's transition toward Impressionism.
Painted in 1867, Diana represents an early attempt by Pierre-Auguste Renoir to engage with the traditions of the Paris Salon. At this stage in his career, Renoir sought to reconcile his training in the studio of Charles Gleyre with the emerging influence of Gustave Courbet and the Barbizon school. The work depicts the Roman goddess of the hunt, Diana, seated upon a rock with her bow and a fallen stag at her feet.
Renoir utilised Lise Tréhot, his companion and primary model during this period, to portray the goddess. The composition reflects a deliberate effort to master the nude figure within a natural setting, a subject that remained a constant interest throughout his career. Unlike his later, more fluid Impressionist works, this painting displays a tighter, more controlled application of paint. The treatment of the foliage and the rocky terrain shows the influence of his contemporaries who preferred painting directly from nature.
Despite his efforts to align with the expectations of the Salon jury, the work was rejected in 1867. This rejection contributed to the growing frustration among the group of artists who would soon form the Impressionist movement. The painting provides a clear view into Renoir's technical development, showing his transition from the rigid structures of academic painting toward the softer, light-filled style that defined his later output. The palette remains grounded in earthy tones, with the figure of Diana illuminated by a cool, diffused light that contrasts with the darker, textured background of the forest floor. It is a work that captures a specific moment of transition, documenting the artist's struggle to balance classical subject matter with a modern, observational approach to the natural world.
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Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
Artist Biography
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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