Conversations - Alberto Magnelli
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A geometric abstract composition by Italian artist Alberto Magnelli, featuring balanced forms and a muted ochre palette.
Alberto Magnelli, a central figure in the development of European abstract art, produced this work during a period of intense experimentation with geometric form. Born in Florence, Magnelli moved away from his early figurative roots to embrace a language of pure abstraction. This piece, titled Conversations, reflects his interest in the relationship between distinct shapes and the negative space surrounding them.
The composition is defined by a restrained palette and a focus on structural clarity. A large, ochre-toned polygon serves as the primary visual anchor, marked by a series of parallel lines that suggest a rhythmic, almost musical quality. This central form is balanced by a vertical rectangular element and a series of intersecting diagonal lines that divide the picture plane. By limiting his visual vocabulary to these basic geometric components, Magnelli invites the viewer to consider the interaction of lines and planes rather than representational subject matter.
Magnelli spent significant time in Paris, where he engaged with the avant-garde circles of the 1930s. His work from this era is characterised by a rejection of traditional perspective in favour of a flat, balanced arrangement. The title, Conversations, implies a dialogue between the disparate elements on the canvas. The lines and shapes do not merely occupy space; they appear to respond to one another, creating a sense of equilibrium. This print captures the precise application of paint and the deliberate placement of forms that define Magnelli's contribution to the Concrete Art movement. It is an example of his ability to create visual tension through simplicity, offering a clean, modern aesthetic suitable for contemporary interiors.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
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- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Conversations - Alberto Magnelli
Artist Biography
Alberto Magnelli
Born in Florence in 1888, Magnelli spent time in Paris in the early twentieth century before returning to Italy, where the Composizioni emerged in 1915. He then largely set abstraction aside. The sustained return came in the 1930s: in 1935 he was included in the landmark grouping of Italian non-figurative painters at the second Quadriennale in Rome, the first occasion on which Bogliardi, Ghiringhelli, Reggiani, Licini, Soldati, and Magnelli exhibited together as a collective front. The records note that Magnelli was 'living in Paris' by then: he had already relocated and would remain there for the rest of his life.
In Paris he moved in the circle of Hans Arp and Sonia and Robert Delaunay. He was among the first to identify Nicolas de Stael's talent, alongside Arp and the Delaunays, encouraging the young Russian-born painter before he had found an audience.
His output is catalogued in Anne Maisonnier's catalogue raisonne, Alberto Magnelli: L'Oeuvre peint, published in Paris in 1975. A centenary exhibition was held at the Palais des Papes in Avignon in 1988. He died in 1971.
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