Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Allegorische zuil voor het Alliantiefeest op het Amstelveld te Amsterdam, 19 juni 1795 - Fine Art Print
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A detailed architectural drawing of a temporary monument erected for the 1795 Alliance Festival in Amsterdam, capturing the political symbolism of the Batavian Republic.
This watercolour and ink drawing depicts a temporary architectural structure erected for the Alliance Festival held on the Amstelveld in Amsterdam on 19 June 1795. The festival celebrated the alliance between the newly formed Batavian Republic and the French Republic following the collapse of the Dutch Republic and the flight of William V, Prince of Orange. The design features a central column adorned with garlands, topped by a liberty cap and flags representing the two nations. The base includes a relief panel showing allegorical figures, while the surrounding structure consists of a series of arches decorated with tricolour ribbons and foliage.
Such temporary monuments were common in the late eighteenth century for public celebrations and political demonstrations. They functioned as visual propaganda, communicating the values of the new revolutionary government to the populace. The drawing is executed with precision, reflecting the formal training of the period in architectural rendering and perspective. The use of soft washes of colour provides a clear sense of the intended materials and decorative elements, such as the laurel wreaths and the patriotic colour schemes.
This work provides a glimpse into the visual culture of the Batavian Revolution. It documents the ephemeral nature of public art during this period, where temporary constructions were used to transform urban spaces for political events. The composition is balanced and symmetrical, adhering to the Neoclassical aesthetic that dominated European design at the time. The inclusion of the liberty cap, a potent symbol of the French Revolution, further reinforces the political context of the commission. The drawing serves as a record of the specific design choices made for the Amstelveld celebration, capturing the intersection of civic architecture and political theatre in late eighteenth-century Amsterdam.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
Allegorische zuil voor het Alliantiefeest op het Amstelveld te Amsterdam, 19 juni 1795 - Fine Art Print
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Unknown Artist
Anonymity in art often stems from the loss of historical records rather than a choice by the creator. In 19th-century Morocco, early photography was frequently practised by visiting practitioners or local studios whose names were not always recorded on the final prints. Works by an Unknown Artist in this collection include Moroccan studio portraits and Japanese woodblock prints depicting the Battle of Pyongyang. These pieces illustrate how anonymous artists documented global events and personal identities across different continents during the same era.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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