A Bornean Pitcher Plant, Sarawak, Borneo - Marianne North
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A detailed botanical study of the Nepenthes pitcher plant by Victorian explorer and artist Marianne North, painted during her travels in Sarawak, Borneo.
Marianne North was a prolific Victorian traveller and painter who dedicated her life to documenting the flora of the world. Between 1871 and 1885, she travelled extensively, producing over 800 oil paintings that now reside in the Marianne North Gallery at the Royal Botanic Gardens, Kew. Her approach was distinct: she painted specimens in their natural habitats rather than isolating them in a studio setting.
This work depicts the Nepenthes, a genus of carnivorous pitcher plants native to the tropical regions of Borneo. North captures the unique morphology of these plants, focusing on the elongated, vessel-like structures that evolved to trap insects. The composition shows the plants clinging to a mossy, bark-covered surface, providing a sense of the humid, forest environment where they thrive. Her brushwork is precise, documenting the specific colouration of the pitchers, which transition from pale greens to deep, mottled purples and browns.
Unlike many of her contemporaries who focused on stylised or decorative floral arrangements, North prioritised scientific accuracy. She worked quickly, often in challenging conditions, to capture the plants before they wilted. This painting reflects her ability to balance the rigour of botanical observation with the aesthetic demands of a finished composition. The textures of the moss and the smooth, waxy surface of the leaves are rendered with clarity, allowing the viewer to observe the biological details of the species. Her work remains a valuable record of plant life as it appeared in the late nineteenth century, offering a glimpse into the biodiversity of Sarawak during that period. This print captures the specific light and atmosphere of the Bornean rainforest, presenting the pitcher plant as both a biological curiosity and a subject of natural beauty.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
Realizamos envíos a todo el mundo, imprimiendo en el centro de producción más cercano a su dirección de entrega. Los plazos y costes de envío varían según el destino; verá las opciones disponibles para usted al finalizar la compra.
Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
A Bornean Pitcher Plant, Sarawak, Borneo - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
¿Por qué elegirnos?
Garantía de entrega sin daños
Envío rápido
Materiales de calidad de museo
También te puede interesar

