Collection
Henry Fuseli
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The Nightmare - Henry Fuseli
Print
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The Shepherd's Dream, from 'Paradise Lost' - Henry Fuseli
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The Dream of Queen Katherine - Henry Fuseli
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The Vision of Catherine of Aragon - Henry Fuseli
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The Tempest - Henry Fuseli
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The Italian Count - Henry Fuseli
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Macbeth, Act I, Scene 3, the Weird Sisters - Henry Fuseli
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Teiresias Foretells the Future to Odysseus - Henry Fuseli
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Mamillius Conjuring up Sprites and Goblins for His Mother, Hermione - Henry Fuseli
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The Shepherd's Dream - Henry Fuseli
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Percival Delivering Belisane from the Enchantment of Urma - Henry Fuseli
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The Infant Shakespeare between Tragedy and Comedy - Henry Fuseli
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Thor Battering the Midgard Serpent - Henry Fuseli
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The Return of Milton's Wife - Henry Fuseli
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The Nightmare (Study) - Johann Heinrich Füssli
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Dispute between Hotspur, Glendower, Mortimer and Worcester - Henry Fuseli
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The Fire King - Henry Fuseli
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The Debutante - Henry Fuseli
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The Death of Oedipus - Henry Fuseli
Print · Framed · Canvas
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Friar Puck - Henry Fuseli
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Prospero - Henry Fuseli
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Titania and Bottom - Henry Fuseli
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A Scene from 'The Wife of Bath's Tale' - Henry Fuseli
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Lady Macbeth Seizing the Daggers - Henry Fuseli
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Artist Biography
Henry Fuseli
Fuseli reportedly ate raw pork chops before bed to induce nightmares for painting inspiration. The story may be apocryphal, but The Nightmare (1781), which shows a woman draped unconscious over a bed with an incubus squatting on her chest and a horse's head emerging from the darkness, suggests the method, if it existed, worked.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
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