Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Bäume - Joan Mitchell
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
Ein abstrakt-expressionistisches Gemälde von Joan Mitchell, "Trees" verwendet kräftige Farben und gestische Pinselstriche, um das Gefühl eines Waldes hervorzurufen. Das Gemälde ist in zwei Paneele unterteilt, wodurch ein fragmentiertes, aber dennoch zusammenhängendes Ganzes entsteht.
Joan Mitchell (1925-1992) war eine amerikanische abstrakt-expressionistische Malerin und Grafikerin. Sie war eine Formalistin, die sich mit den expressiven Möglichkeiten von Geste und Farbe befasste. Obwohl oft der zweiten Generation der abstrakten Expressionisten zugeordnet, entwickelte Mitchell einen sehr persönlichen Stil, der sie auszeichnete. Ihre Werke zeichnen sich durch energische Pinselführung, kräftige Farben und ein Gefühl von Spontaneität aus. Sie ließ sich von der Natur inspirieren, insbesondere von der französischen Landschaft, in der sie viele Jahre lebte. In "Trees" verwendet Mitchell vertikale Farbstriche, um das Gefühl eines Waldes hervorzurufen. Blau, Gelb, Rot und Grün werden auf einem weißen Grund geschichtet, wodurch ein Gefühl von Tiefe und Bewegung entsteht. Das Gemälde ist in zwei Paneele unterteilt, was zu dem Gefühl eines fragmentierten, aber dennoch zusammenhängenden Ganzen beiträgt. Die Pinselstriche sind locker und gestisch und vermitteln ein Gefühl von Energie und Emotion. Das Gemälde ist keine wörtliche Darstellung von Bäumen, sondern eine Evokation ihres Wesens.
Rückgaberecht
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Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Look vervollständigen
Bäume - Joan Mitchell
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Joan Mitchell
Mitchell painted large, aggressive, beautiful abstract canvases that looked nothing like what a woman painter was supposed to produce in the 1950s. The brushwork is violent. The colours are intense. The scale is monumental. She was an Abstract Expressionist in a movement that did not welcome women, and she responded by painting bigger, harder, and with more conviction than most of her male contemporaries.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
Unsere Funktionen
Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Warum uns wählen?
Garantie für beschädigungsfreie Lieferung
Schneller Versand
Museumsreife Materialien
Biografie des Künstlers
Joan Mitchell
Mitchell painted large, aggressive, beautiful abstract canvases that looked nothing like what a woman painter was supposed to produce in the 1950s. The brushwork is violent. The colours are intense. The scale is monumental. She was an Abstract Expressionist in a movement that did not welcome women, and she responded by painting bigger, harder, and with more conviction than most of her male contemporaries.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
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