Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
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A 1926 oil painting by Giorgio de Chirico featuring his iconic mannequin figures and architectural motifs in a surreal, domestic setting.
Giorgio de Chirico, a central figure in the development of Metaphysical Art, produced this work in 1926. The composition features his signature mannequin figures, which replace human features with smooth, featureless ovoid heads. These figures occupy a space that feels both domestic and alien, blurring the lines between a traditional family portrait and a conceptual study of identity.
The central figure holds an infant, yet their torso is partially composed of architectural fragments, suggesting a fusion of the human form with the built environment. To the left, a second mannequin stands behind a cluster of geometric blocks, echoing the classical ruins often found in de Chirico's earlier work. An easel stands to the right, displaying a sketch that mirrors the scene, creating a recursive visual loop that invites the viewer to consider the act of representation itself.
The palette is dominated by warm, earthy tones of terracotta and ochre, which provide a stark contrast to the pale, ghostly forms of the mannequins. The background is a flat, textured red, which pushes the figures forward and flattens the pictorial space. This technique removes the sense of naturalistic depth, forcing the viewer to engage with the symbolic arrangement of objects rather than a narrative depiction of a family. The floorboards, rendered with simple, linear perspective, provide the only anchor to a physical reality. This work demonstrates the artist's move away from the dreamlike cityscapes of his earlier period toward a more focused, studio-based exploration of the human condition through inanimate, sculptural forms. It remains a curious example of how de Chirico used his technical skill to deconstruct the traditional genre of family portraiture, replacing sentimentality with a cold, analytical detachment that defines his contribution to twentieth-century European art.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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