Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Grandes Carrières – Joan Mitchell
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
Sichere Kaufabwicklung
Auf Bestellung gefertigt
Beschreibung
Grandes Carrières ist ein abstraktes Ölgemälde von Joan Mitchell, einer amerikanischen Künstlerin, die mit dem Abstrakten Expressionismus in Verbindung gebracht wird. Das Werk zeigt dynamische Pinselstriche und eine Reihe von Farben, die ein Gefühl von Energie und Bewegung erzeugen.
Joan Mitchell, eine amerikanische Künstlerin (1925-1992), wird für ihre Beiträge zum Abstrakten Expressionismus gefeiert. Obwohl sie in den Vereinigten Staaten geboren wurde, verbrachte sie einen Großteil ihrer Karriere in Frankreich. Ihre Gemälde zeichnen sich durch gestische Pinselstriche und einen starken Sinn für Farbe aus. Mitchells Werk ruft oft emotionale Reaktionen durch Abstraktion hervor, anstatt durch direkte Darstellung. Sie gilt als eine der führenden Persönlichkeiten der zweiten Generation amerikanischer abstrakter Expressionisten. Grandes Carrières ist ein Beispiel für Mitchells Stil. Die Leinwand ist mit Schichten dynamischer Pinselstriche und Farbtropfen gefüllt. Eine Reihe von Farben, darunter Rosa, Blau, Grün und Braun, werden mit scheinbarer Spontaneität aufgetragen. Der Komposition fehlt ein klarer Fokus, was den Betrachter dazu anregt, sich mit der Gesamtenergie und Textur des Gemäldes auseinanderzusetzen. Der Titel, der „Große Steinbrüche“ bedeutet, mag auf die physische Landschaft anspielen, aber das Gemälde bleibt fest im Bereich der Abstraktion.
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Versand
Wir versenden weltweit und drucken im Produktionszentrum in der Nähe Ihrer Lieferadresse. Lieferzeiten und -kosten variieren je nach Zielort – die Ihnen zur Verfügung stehenden Optionen werden Ihnen an der Kasse angezeigt.
Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Look vervollständigen
Grandes Carrières – Joan Mitchell
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Joan Mitchell
Mitchell painted large, aggressive, beautiful abstract canvases that looked nothing like what a woman painter was supposed to produce in the 1950s. The brushwork is violent. The colours are intense. The scale is monumental. She was an Abstract Expressionist in a movement that did not welcome women, and she responded by painting bigger, harder, and with more conviction than most of her male contemporaries.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
Unsere Funktionen
Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Schneller Versand
Museumsreife Materialien
Biografie des Künstlers
Joan Mitchell
Mitchell painted large, aggressive, beautiful abstract canvases that looked nothing like what a woman painter was supposed to produce in the 1950s. The brushwork is violent. The colours are intense. The scale is monumental. She was an Abstract Expressionist in a movement that did not welcome women, and she responded by painting bigger, harder, and with more conviction than most of her male contemporaries.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
She grew up in Chicago, the daughter of a dermatologist and a poet. She was a competitive figure skater and diver. The athleticism transferred to her painting: she worked standing, moving around the canvas, using her whole body. She studied at the School of the Art Institute of Chicago and moved to New York in 1949, joining the Cedar Bar circle of de Kooning, Kline, and Pollock.
She moved to France in 1959, first to Paris and then to Vetheuil, the village on the Seine where Monet had lived. The coincidence was not accidental. She painted landscape-derived abstractions that have the luminosity and colour sensitivity of Impressionism executed at Abstract Expressionist scale. La Grande Vallee, a series of large paintings from the 1980s, is a sustained meditation on landscape, memory, and loss.
She drank heavily, was difficult personally, and made no concessions to the market or to critics. She sold well in Europe before America caught up. The retrospective at the Whitney in 2002, three years before her death, confirmed what her collectors had known for decades: she was one of the best painters of the second half of the twentieth century.
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