Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Blumen und Schmetterlinge vor einer skulptierten Kartusche – Jan van Kessel der Ältere
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
Rahmen werden montagefertig geliefert
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Beschreibung
Ein Stillleben von Jan van Kessel dem Älteren. Dieses Gemälde zeigt eine Vielzahl von Blumen und Schmetterlingen, die um eine skulptierte Kartusche angeordnet sind. Die akribische Detailgenauigkeit und wissenschaftliche Präzision des Künstlers werden hier voll zur Geltung gebracht.
Jan van Kessel der Ältere, ein flämischer Künstler, geboren in Antwerpen, gehörte einer Malerfamilie an, zu der auch Jan Brueghel der Ältere und Jan Brueghel der Jüngere zählten. Er ist bekannt für kleinformatige, hochdetaillierte Gemälde von Motiven aus der Natur. Seine akribische Technik und wissenschaftliche Präzision machten ihn zu einem gefragten Künstler zu seinen Lebzeiten. Dieses Gemälde zeigt eine skulptierte Kartusche, um die eine Fülle von Blumen und Schmetterlingen arrangiert ist. Tulpen, Rosen und andere Blüten sind mit sorgfältiger Beachtung ihrer Formen und Farben dargestellt. Schmetterlinge flattern zwischen den Blumen und verleihen der Komposition ein Gefühl von Bewegung und Leben. Der dunkle Hintergrund hebt die Helligkeit der Blumen und die zarten Details der Insekten hervor. Van Kessels Werk spiegelt das Interesse des 17. Jahrhunderts an Naturgeschichte und wissenschaftlicher Beobachtung wider, verbunden mit einer Wertschätzung für die Schönheit der Natur.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Blumen und Schmetterlinge vor einer skulptierten Kartusche – Jan van Kessel der Ältere
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jan Van Kessel The Elder
Van Kessel had thirteen children and numerous debts. He was captain of the Civic Guard in Antwerp, a productive artist with royal clients, and still died owing money. The combination of civic standing and insolvency was not unusual for seventeenth-century Flemish painters, but the scale of his family made it harder to manage.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
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Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Jan van Kessel the Elder
Van Kessel had thirteen children and numerous debts. He was captain of the Civic Guard in Antwerp, a productive artist with royal clients, and still died owing money. The combination of civic standing and insolvency was not unusual for seventeenth-century Flemish painters, but the scale of his family made it harder to manage.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
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