Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Carpentras, Provence – Roger Fry
Regulärer Preis
£37.00 GBP
Angebotspreis
£37.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
Eine Straßenszene in Südfrankreich des britischen Künstlers Roger Fry, „Carpentras, Provence“, zeigt kahle Bäume, Figuren und Gebäude, die mit sichtbaren Pinselstrichen und einer gedämpften Farbpalette dargestellt sind.
Roger Fry (1866-1934) war ein britischer Künstler und Kunstkritiker, der als Förderer der modernen Kunst großen Einfluss hatte. Als Mitglied der Bloomsbury Group setzte sich Fry in Großbritannien für den Post-Impressionismus ein und organisierte 1910 die Ausstellung „Manet and the Post-Impressionists“ in den Grafton Galleries. Sein eigenes künstlerisches Schaffen, obwohl weniger bekannt, spiegelt seine Auseinandersetzung mit den avantgardistischen Bewegungen seiner Zeit wider. „Carpentras, Provence“ ist ein Ölgemälde, das eine Straßenszene in Südfrankreich einfängt. Die Komposition wird von einer Reihe kahler Bäume dominiert, die die Straße säumen und deren Äste einen Baldachin bilden. Die Stämme sind mit dicken, sichtbaren Pinselstrichen wiedergegeben, was ihnen eine taktile Qualität verleiht. Figuren bevölkern die Szene: ein Radfahrer, Fußgänger und eine einzelne Figur, die sich vom Betrachter wegbewegt. Die Farbpalette ist gedämpft, mit sanften Blau-, Rosa- und Brauntönen, die einen nebligen, atmosphärischen Effekt erzeugen. Die Gebäude im Hintergrund sind mit einfachen, blockartigen Formen angedeutet, was zum Gesamteindruck von Unmittelbarkeit und Spontaneität beiträgt. Die lockere Pinselführung und die Betonung von Licht und Farbe im Gemälde zeigen Frys post-impressionistischen Stil.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Carpentras, Provence – Roger Fry
Regulärer Preis
Ab £37.00 GBP
Angebotspreis
Ab £37.00 GBP
Regulärer Preis
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
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Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
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Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
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- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
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