His work often features nautical subjects, including naval vessels like the H. M. S. Leander and scenes from Narragansett Bay. He applied a disciplined technique to his watercolours, capturing the movement of water and the structure of ships with technical accuracy. His portraits, such as the study of Nelson Wilmarth Aldrich or the portrait of Constance, demonstrate a formal clarity that avoids unnecessary ornamentation. This directness is a hallmark of his style, whether he was painting a Study of a Girl or a Man in Uniform.

Modern collectors value the clean lines and atmospheric qualities of his coastal scenes. His depictions of Boston and the New England shoreline document early twentieth-century maritime life with a sense of historical permanence. These prints offer a balanced perspective on the relationship between man-made vessels and the natural environment. The combination of architectural precision and fluid watercolour makes his work a distinct choice for those interested in American nautical history.