Her artistic style involves thin, steady brushstrokes. She often wrote waka poems directly onto her pottery or paper scrolls. In works like Mountain Village in Autumn and Deutzia Crenata, the calligraphy is the primary element. She practised a style called bunjinga, which focuses on the expression of the artist rather than technical perfection. Her ink washes are sparse. She used the white space of the paper to give the viewer room to breathe.

Modern collectors find a sense of calm in her work. The art is quiet. It works well in rooms with minimalist decor or natural materials. Prints like Purification Rite or Hakuzosu the Fox-Spirit provide a connection to Japanese history and literature. This art is an honest record of a woman who found peace through creativity. These prints bring a focused quality to a contemporary wall.