This artist preferred the tondo format for his engravings. This circular frame required a careful arrangement of architectural elements to maintain balance. He used thin, controlled lines to depict the way light hits masonry. His subjects include the Adoration of the Shepherds and the Massacre of the Innocents. These works emphasise the physical environment through rigorous geometric construction. The artist used the background to demonstrate his mastery of depth and vanishing points.

These prints appeal to modern collectors who appreciate structural clarity. The monochrome nature of the engravings suits a variety of contemporary interior styles. His work provides a sense of calm through its balanced proportions. These pieces represent a period when artists used printmaking to explore the limits of three-dimensional space on paper. The focus on form and line makes these works compatible with minimalist decor.