His method relied on the stipple technique. This process uses small dots to create tonal gradations. It allowed him to replicate the textures of skin or fabric with accuracy. He often worked on large plates, including his reproduction of the Canterbury Pilgrims after Thomas Stothard. His ability to translate complex paintings into monochrome prints made him a known figure in the British print trade during the Georgian period.

Modern collectors value Schiavonetti for his clarity. His prints offer a window into the late eighteenth century. They capture both neoclassical tastes and the daily life of London. The sharpness of his lines remains clear on paper. His work is a reliable choice for those seeking decor with a literary connection.