Shōun applied formal Kanō techniques to create anthropomorphic figures. He painted animals such as the dragon, snake, and horse wearing the formal silk robes of the Heian court. This method required a steady hand to keep the lines crisp and the proportions accurate. He used the established school method of firm ink outlines and subtle washes of colour. His work avoids the stiffness often found in official government commissions.

These prints appeal to modern collectors who appreciate wit in classical art. Shōun gives each animal a unique character through their posture and facial expressions. The compositions are clean and focus on the central figure. They work well in contemporary homes because they are both decorative and conversational. His art offers a glimpse into a period where tradition met creative play.