Her approach was shaped by her time studying with Hans Hofmann and her long association with the American Abstract Artists group. In works like Grey Tangent and False Legs Hang Down, she used flat planes of colour to define space. She often balanced purely geometric forms with suggestions of the human figure or still life objects. This tension between abstraction and recognisable subjects defines her catalogue of work.

Modern collectors value her art for its architectural clarity and precise use of shape. These prints offer a sense of order and balance that suits contemporary interior design. Her ability to suggest volume through simple overlapping forms makes her compositions feel substantial. Pieces such as Death of Patroklos provide a sophisticated visual language that remains fresh and relevant today.