His work often features animals and quiet outdoor scenes. He studied under Paulus Potter. This influence is evident in his depictions of hounds and cattle. In Twee honden and Teef voedt haar jong, he captures the physical form of animals with anatomical precision. His etchings and paintings of ruins, such as Landschap met ruïne, use muted tones and clear light. He avoided dramatic flourishes. Instead, he relied on careful observation of natural textures and animal behaviour.

Collectors today appreciate the directness of his compositions. His prints provide a calm view of seventeenth-century life. The small scale of his etchings makes them suitable for modern homes. Works like Landschap met mieren en bijen show his interest in the smaller details of the natural world. These pieces offer a sense of quietude. They work well in minimalist or traditional spaces.