His artistic method rejected the decorative excesses of the later mannered systems. He preferred a sophisticated and direct style that emphasised the plasticity of the human face. Unlike the Danube-style which favoured fantastic elements, his work remained grounded in observation. He used light to define the volume of a cloak or the structure of a jawline with precision. This approach ensured that his portraits functioned as factual records of status and character. His compositions avoid the cluttered allegories found in larger church panels, concentrating instead on the subject.

Art collectors today are drawn to the formal stability and lack of sentimentality in his work. These prints offer a sense of historical presence that complements modern minimalist or traditional interiors. The clear lines and balanced compositions provide a quiet strength that does not rely on visual tricks. His work represents a moment when art became a means of direct communication between the subject and the observer. These pieces are suitable for those who value the disciplined craftsmanship of the sixteenth century.