His style is defined by a fascination with chinoiserie and botanical fantasy. He did not seek to document real plants with scientific precision. Instead, he created "Ideal Flowers" that combined different floral elements into new, decorative forms. These compositions often featured thin, curving stems and asymmetrical balances. His work for the Title Page: Ideal Flowers shows his preference for light, airy arrangements that prioritised ornament over realism.

Modern collectors value these prints for their graphic clarity and playful spirit. The lack of heavy shadows or complex narratives makes these prints easy to place in a variety of rooms. This botanical series provides a sophisticated alternative to standard floral art. These prints remain popular because they offer a sense of movement and grace without being overly formal.