His work bridges the gap between late Mannerism and the emerging Dutch realism. He often depicted figures with a sculptural quality. His drawings, such as the male nude studies, show a fascination with human anatomy and physical presence. In genre scenes involving hunters or young women, he used direct compositions. He avoided the cluttered arrangements common in earlier Dutch art. His use of colour remained disciplined, a likely carryover from his training in the glass workshops of Haarlem.

Modern collectors value the clarity and draughtsmanship found in his work. His drawings feel remarkably contemporary because of their focus on form and line. These pieces provide a look into the working process of a seventeenth-century master. His art suits a minimalist or classic interior. The simplicity of his compositions allows the subject to remain the primary interest. His prints offer a connection to the early years of the Dutch Golden Age.