His approach focused on the "conversation piece," a genre portraying groups of people engaged in social activities. Unlike the chaotic tavern scenes of earlier Flemish masters, Horemans depicted orderly households where every object had its place. He became a master of the Guild of Saint Luke in 1767 and eventually served as its dean. His paintings include precise details of period furniture and ceramics. These elements provide a factual record of domestic life in the Habsburg Netherlands.

Collectors today value his work for its quiet atmosphere and historical accuracy. The scenes offer a sense of order and civility that fits well in modern living spaces. His ability to capture the texture of daily life makes these prints more than just decorations. They act as windows into a period of transition where traditional Flemish painting met the lighter sensibilities of the Enlightenment.