His approach to drawing was precise and anatomical. In works like 'Knielend mannelijk naakt', he used light to define the structure of the body. He often placed his subjects against neutral backgrounds to focus on their posture. His interior scenes, such as 'Musicerend paar in een interieur', show a different side of his skill. These pieces use clear lines to describe domestic spaces and quiet social interactions. He avoided the heavy ornamentation common in earlier Dutch periods.

Modern collectors value these works for their clarity and classical feel. The anatomical sketches work well as standalone pieces or in sets. They bring a sense of history to a space without appearing cluttered. His depictions of daily life, like 'Een vrouw bij een waterput', offer a calm perspective on the past. These prints suit interiors that prioritise clean lines and historical accuracy.