His work features a clear, sharp light that defines objects with precision. Unlike the softer Venetian styles of the Bellini family, Jacobello retained a focus on the physical presence of his subjects. In his painting, Virgin and Child Enthroned in a Landscape, he uses a structured composition where the figures occupy a defined space. He uses oil paints to achieve a smooth surface. This technical choice results in a glass-like finish that preserves the clarity of the figures.

Collectors value these prints for their stillness and formal balance. The work documents the transition between the medieval and the Renaissance. It offers a sense of order. The background scenery creates a feeling of depth without distracting from the central subject. These pieces suit modern interiors because they provide a visual anchor through their geometric clarity and muted colour palettes.