His work merged the refined Tosa school style with the ink techniques of the Kanō school. He is famous for a specific character type featuring elongated faces and full cheeks. Matabē focused on narrative scenes from classical literature. He rendered these stories with a sense of movement and physical presence that was new to Japanese painting. This style makes his figures easily recognisable. His handscrolls show a preference for dramatic action and human emotion.

Collectors today appreciate the graphic energy in his compositions. His paintings have a bold quality that translates well to paper prints. The work bridges the gap between aristocratic art and the later ukiyo-e movement. These pieces add a sense of history and narrative depth to a room. His unique character designs remain a distinct alternative to more conventional woodblock styles.