His style relies on precise draughtsmanship and a controlled use of wash. In works like "Landschap met een brug waarop een hengelaar", he uses fine lines to define the structure of bridges and boats. He avoids dramatic lighting. Instead, he uses steady, even tones to convey space. His compositions often place human activity, such as an angler on a bridge or a sailor on the Schinkel, within a wider geographic context. This approach creates a sense of stillness and order.

Modern collectors value these prints for their architectural clarity. The neutral colour palettes of his watercolours and washes suit contemporary interior design. His depictions of lime kilns and old monasteries offer a historical perspective that is both technical and aesthetic. These works provide a window into the pre-industrial Dutch countryside. They are ideal for those who appreciate art that combines historical documentation with a calm visual style.