His work bridges the gap between the traditional world view and a modern interest in topography. He utilised high viewpoints to capture the scale of river valleys and mountain ranges. His compositions often include small figures that give a sense of scale against the limestone cliffs and winding waterways. The use of cool blues and greens helps define the distance in his panoramic views.

These prints offer a window into the seventeenth-century European wilderness. Collectors value the balance of architectural detail and natural terrain. The scenes are quiet and structured, making them suitable for traditional or modern interiors. They provide a sense of history without the clutter of more ornate baroque styles.