His artistic approach is defined by a preference for topographical accuracy over romanticised scenery. In works such as Gezicht op stadswal en stadspoort van Vianen and Gezicht op Slot Appeltern, he provides a clear view of 18th-century fortifications and country seats. He often produced drawings that functioned as both art and historical record. His study of the Ingangspartij van een gebouw demonstrates his ability to capture the geometry of stonework without unnecessary ornamentation. He avoided the heavy shadows of the previous century to focus on light and form.

Collectors today are drawn to his work for its clean aesthetic and historical value. His drawings offer a calm perspective on the Dutch environment before modern urbanisation. The neutral tones and balanced compositions of his prints make them suitable for minimalist or traditional spaces. His ability to render the Gezicht op stadswal with such clarity provides a sense of structure. These drawings offer a window into a world of order and architectural dignity.