The artist departed from the stiff forms of his predecessors. He gave his figures a physical presence that felt grounded. In the statues for the Pisan tomb, he carved seated figures with broad shoulders and simplified drapery. This approach prioritised the solid mass of the stone. He used light and shadow to define the form of the body. His work moved the centre of Italian sculpture toward a more humanised style that avoided excessive decoration.

Modern collectors appreciate the architectural quality of these sculptural prints. The clear silhouettes and neutral tones of the stone carvings suit contemporary wall spaces. These images provide a connection to the history of European sculpture. They offer a calm and balanced aesthetic for a home gallery. The focus on form and volume makes his work feel surprisingly modern despite its ancient origins. These prints bring a sense of permanence to a room.