His technique relied on bold, clear lines that translated well to the woodblock medium. In works like Veldslag te paard met strijdwagen and Stadsbestorming, he managed to convey chaotic movement within a confined space. He did not shy away from graphic depictions of violence. Pieces such as Man wordt beide handen afgehakt show a clinical interest in the consequences of war. This directness sets his work apart from more decorative styles of the era.

Modern collectors value these prints for their stark graphic quality and historical honesty. The monochromatic nature of his woodcuts fits well in contemporary interiors that favour strong contrast. His depictions of ancient history and biblical narratives provide a window into the early Dutch mindset. These prints act as conversation pieces because of their uncompromising subject matter and technical precision.