His artistic style follows the Romanist tradition, which brought Italian Renaissance ideals to the Spanish Netherlands. He studied under Frans Floris and adopted a preference for muscular, well-defined figures. His works, such as The Prodigal Son and De Heilige Maagschap, demonstrate a focus on human anatomy and clear narrative action. He often used dramatic lighting to define forms, a technique visible in his depictions of Christus in Gethsemane.

For the modern collector, his prints provide a connection to the intellectual life of the sixteenth century. The clean lines and balanced proportions of his work make these pieces suitable for contemporary spaces. His ability to translate complex religious themes into accessible visual stories ensures his art remains relevant. These prints represent the specific artistic output of the Golden Age of Antwerp.