Hodges initially established a reputation as a master of mezzotint. This printmaking technique allowed Hodges to create soft transitions between light and shadow. When Hodges turned to oil painting, he retained this sensitivity to tonal shifts. His portraits often feature a dark, atmospheric background that brings the subject into sharp focus. Hodges avoided the stiff formality common in eighteenth-century portraiture. Instead, Hodges gave sitters a sense of presence through careful attention to skin tones and the texture of clothing.

The work of Hodges offers a window into the Dutch Regency period. Portraits of figures like King William I and Louis Napoleon possess a quiet dignity. For a modern home, these prints provide a sense of history without feeling cluttered. The muted colour palettes and strong compositions work well in contemporary interiors. Collectors value the ability of Hodges to capture character through subtle facial expressions. A print of a Hodges portrait functions as a classic statement piece that carries the weight of European tradition.