His technique relied on the disciplined use of the burin on copper plates. He focused on translating the volume of Renaissance figures into a series of hatched lines and cross-hatching. His work on the Sistine Chapel ceiling remains a notable example of his skill. He captured the muscularity of the figures without the use of colour. This required a clear understanding of light and shadow to create a sense of three-dimensional form on a flat surface.

Modern collectors value these prints for their formal clarity and historical accuracy. The monochrome palette allows the structural composition of the original masterworks to stand out. These engravings suit contemporary interiors that favour a minimalist or classical style. The heavy paper and visible plate marks offer a physical connection to eighteenth-century printmaking. They remain popular choices for those building a collection of traditional European art in a home setting.