His technique involves precise line work and a clear interest in human anatomy. Works like Mars, Venus, and Cupid demonstrate his familiarity with Italian Renaissance themes. He combined these classical subjects with the moralising tone common in Northern European art. In Soldier Overcome By Death, he uses stark imagery to address mortality. The compositions are often compact, with figures arranged to fill the frame without unnecessary clutter.

Modern collectors value these prints for their historical clarity and technical skill. The works provide a direct look at the religious and social shifts of the sixteenth century. Because he worked primarily in engraving, his art has a graphic quality that fits well in contemporary interiors. These prints allow for a collection of Renaissance art that focuses on detail and narrative rather than large-scale spectacle.