His style is defined by a softness that differs from the sharp edges seen in earlier Netherlandish art. He adopted the technique of sfumato to create gentle transitions between light and shadow. This approach is visible in The Mystic Marriage of Saint Catherine of Alexandria with Three Female Saints, where the figures possess a quiet and rounded quality. He was influenced by Gerard David but introduced a more atmospheric tone to his religious scenes. His workshop produced variations of popular compositions to meet the demands of international trade.

Modern collectors appreciate the stillness found in these sixteenth-century works. The works offer a sense of order and contemplation. The use of colour is restrained, favouring deep blues and warm reds that suit domestic interiors. These prints provide a view of the transition from the late Middle Ages to the Renaissance. He was one of the last masters to maintain the traditional Bruges style before the rise of Mannerism.