Sammlung
Pietro Da Cortona
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Portrait of Marcello Sacchetti - Pietro da CortonaPrint · Framed
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Virgin and Child with Saint Catherine of Alexandria - Pietro da CortonaPrint · Framed
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Ceiling Fresco in the Hall of Saturn - Pietro da CortonaPrint · Framed
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The Guardian Angel - Pietro da CortonaPrint · Framed
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Allegory of Divine Providence and Barberini Power - Pietro da CortonaPrint · Framed
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The Rape of the Sabine Women - Pietro da CortonaPrint · Framed
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Pietà - Pietro da CortonaPrint · Framed
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Title page from the Flora - Pietro da CortonaPrint · Framed
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The Age of Bronze - Pietro da CortonaPrint · Framed
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Venus erscheint Aeneas als Jägerin - Pietro da CortonaPrint · Framed
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Kirche und Odysseus – Pietro da CortonaPrint · Framed · Canvas
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Das Kupferzeitalter – Pietro da CortonaPrint
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Romulus und Remus von Faustulus gerettet – Pietro da CortonaPrint
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Ananias heilt die Blindheit des heiligen Paulus - Pietro da CortonaPrint
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Heilige Familie auf der Flucht nach Ägypten – Pietro da CortonaPrint
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Der Triumph der göttlichen Vorsehung - Pietro da CortonaPrint
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Landung der Trojaner an der Tibermündung - Pietro da CortonaPrint
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Deckenfresko mit Medici-Wappen – Pietro da CortonaPrint
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Das Eisenzeitalter - Pietro da CortonaPrint
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Der Bund Jakobs und Labans – Pietro da CortonaPrint
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Madonna mit Heiligen - Pietro da CortonaPrint
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Die Rückkehr der Hagar – Pietro da CortonaPrint
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Artist Biography
Pietro Da Cortona
Pietro da Cortona was one of three men who defined Roman Baroque: Bernini in sculpture, Borromini in architecture, Cortona in painting. His ceiling fresco Allegory of Divine Providence and Barberini Power (1633 to 1639) in the Palazzo Barberini was a watershed in illusionistic painting, and the model for every Baroque ceiling that followed it.
He was born Pietro Berrettini in Cortona, Tuscany, around 1596 and trained in Rome under Andrea Commodi and Baccio Ciarpi. He served as head of the Accademia di San Luca from 1634 to 1638. His architectural works include the facades of Santa Maria della Pace and Santa Maria in Via Lata, making him one of the rare artists of the period to excel equally as painter, architect and interior decorator.
His frescoes in the Palazzo Pitti in Florence (1637 to 1647) were his other major decorative cycle. He died in Rome in 1669, at seventy-two.
His influence on Baroque ceiling painting was immediate and lasting: every illusionistic fresco produced in Rome for the next century took the Barberini ceiling as its starting point, whether following Cortona's method or reacting against it. Few single paintings have shaped an entire tradition so decisively.
He was born Pietro Berrettini in Cortona, Tuscany, around 1596 and trained in Rome under Andrea Commodi and Baccio Ciarpi. He served as head of the Accademia di San Luca from 1634 to 1638. His architectural works include the facades of Santa Maria della Pace and Santa Maria in Via Lata, making him one of the rare artists of the period to excel equally as painter, architect and interior decorator.
His frescoes in the Palazzo Pitti in Florence (1637 to 1647) were his other major decorative cycle. He died in Rome in 1669, at seventy-two.
His influence on Baroque ceiling painting was immediate and lasting: every illusionistic fresco produced in Rome for the next century took the Barberini ceiling as its starting point, whether following Cortona's method or reacting against it. Few single paintings have shaped an entire tradition so decisively.
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