Sammlung
Paul Delaroche
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Die junge Märtyrerin - Paul DelarochePrint
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Innocence - Paul DelarochePrint · Framed
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Saint Veronica - Paul DelarochePrint · Framed
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Portrait of Henrietta Sontag - Paul DelarochePrint · Framed
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The Childhood of Pico della Mirandola - Paul DelarochePrint · Framed
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Virgin and Child - Paul DelarochePrint · Framed
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Portrait du comte James-Alexandre de Pourtalès-Gorgier - Paul DelarochePrint · Framed
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Strafford on his way to Execution - Paul DelarochePrint · Framed
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Girl in a Basin - Paul DelarochePrint · Framed
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Marquis de Pastoret - Paul DelarochePrint · Framed
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Cardinal Mazarin Dying - Paul DelarochePrint · Framed
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The Death of Elizabeth I, Queen of England - Paul DelarochePrint · Framed
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Hémicycle (Section 2) - Paul DelarochePrint · Framed
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Countess Potocka Playing Piano - Paul DelarochePrint · Framed
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Joan of Arc in Prison - Paul DelarochePrint · Framed
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The Execution of Lady Jane Grey - Paul DelarochePrint · Framed
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The Children of Edward - Paul DelarochePrint · Framed
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Hémicycle (Section 3) - Paul DelarochePrint · Framed
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Hémicycle (Central Section) - Paul DelarochePrint · Framed
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Studie für eine allegorische Figur des Ruhms - Paul DelarochePrint · Framed · Canvas
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Sitzende Jüdin aus Gaza mit ihrem Kind und zwei großen Krügen - Paul DelarochePrint · Framed · Canvas
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Die junge Märtyrerin - Paul DelarochePrint · Framed · Canvas
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Ein lesendes Kind - Paul DelarochePrint
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Eine Familienszene - Paul DelarochePrint
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Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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