Sammlung
Paul Delaroche
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Studie für eine allegorische Figur des Ruhms - Paul DelarochePrint · Framed · Canvas
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Sitzende Jüdin aus Gaza mit ihrem Kind und zwei großen Krügen - Paul DelarochePrint · Framed · Canvas
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Die junge Märtyrerin - Paul DelarochePrint · Framed · Canvas
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Ein lesendes Kind - Paul DelarochePrint
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Eine Familienszene - Paul DelarochePrint
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Fra Filippo Lippi verliebt sich in sein Modell - Paul DelarochePrint
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Ruhend an den Ufern des Tibers - Paul DelarochePrint
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Junge Mutter mit ihren Kindern - Paul DelarochePrint
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Ermordung Heinrichs I. von Guise – Paul DelarochePrint
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Peter der Große – Paul DelarochePrint
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Die Staatsbarke des Kardinals Richelieu auf der Rhone - Paul DelarochePrint
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Mutter und Kind - Paul DelarochePrint
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Napoleon in Fontainebleau - Paul DelarochePrint
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Bonaparte überquert die Alpen - Paul DelarochePrint
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Cromwell vor dem Sarg Karls I. - Paul DelarochePrint
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Die junge Märtyrerin - Paul DelarochePrint
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Herodias - Paul DelarochePrint
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Gaben an Pan - Paul DelarochePrint
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Brustbild von Napoleon - Paul DelarochePrint
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Frauen in einem Interieur - Paul DelarochePrint
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Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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