Sammlung
Guido Reni
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Das Martyrium der Heiligen Katharina von Alexandrien - Guido Reni
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Madonna mit Kind im Kreis – Guido Reni
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Junge Frau mit Kruzifix, von hinten gesehen - Guido Reni
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Porträt der Beatrice Cenci – Guido Reni
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Die Heilige Familie - Guido Reni
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Der Heilige Hieronymus in der Wildnis - Guido Reni
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Das Jesuskind und der junge Johannes der Täufer – Guido Reni
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Die Heilige Familie mit dem Johannesknaben und einer Vase - Guido Reni
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Engel in Herrlichkeit - Guido Reni
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Anbetung der Heiligen Drei Könige - Guido Reni
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Martyrium des Heiligen Andreas - Guido Reni
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Haupt Christi mit der Dornenkrone - Guido Reni
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Kopf eines bärtigen Mannes - Guido Reni
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Porträt von Papst Gregor XV. - Guido Reni
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Sibylle mit Turban - Guido Reni
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Heiliger Sebastian - Guido Reni
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Lukretia - Guido Reni
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Der heilige Franziskus in Ekstase mit einem Engelsmusiker - Guido Reni
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Die Reinigung der Jungfrau - Guido Reni
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Porträt von Kardinal Roberto Ubaldini - Guido Reni
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Der Heilige Franziskus im Gebet mit zwei Engeln - Guido Reni
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Mariä Himmelfahrt – Guido Reni
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Schlafender Putto – Guido Reni
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Die Geburt der Jungfrau - Guido Reni
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Artist Biography
Guido Reni
Guido Reni, a titan of the Italian Baroque, wasn't just painting religious scenes; he was crafting a world of idealised beauty. Born in Bologna in 1575, Reni's early training under Denys Calvaert and the Carracci brothers instilled in him a love for classical form and dramatic composition. But unlike some of his more bombastic contemporaries, Reni sought a serene, almost ethereal quality in his work. His figures, often bathed in soft light, possess a grace and emotional restraint that set him apart.
Reni’s ambition knew no bounds. He moved to Rome and quickly became a rival to Caravaggio, securing major commissions from the likes of the Borghese family. His frescoes, such as the *Aurora* ceiling in the Casino dell'Aurora, are testaments to his technical skill and artistic vision. Yet, Reni was also a complex character, known for his gambling addiction and a reported fear of witchcraft, which perhaps explains the melancholic undertones that sometimes surface in his art.
Despite his personal demons, Guido Reni left an indelible mark on the Baroque movement. His pursuit of idealised beauty influenced generations of artists, and his works, like *Hippomenes and Atalanta* and *The Ecstasy of Saint Paul*, continue to captivate viewers with their elegance and emotional depth. For those seeking a touch of refined drama and timeless grace, Reni's art offers a window into a world of unparalleled beauty.
Reni’s ambition knew no bounds. He moved to Rome and quickly became a rival to Caravaggio, securing major commissions from the likes of the Borghese family. His frescoes, such as the *Aurora* ceiling in the Casino dell'Aurora, are testaments to his technical skill and artistic vision. Yet, Reni was also a complex character, known for his gambling addiction and a reported fear of witchcraft, which perhaps explains the melancholic undertones that sometimes surface in his art.
Despite his personal demons, Guido Reni left an indelible mark on the Baroque movement. His pursuit of idealised beauty influenced generations of artists, and his works, like *Hippomenes and Atalanta* and *The Ecstasy of Saint Paul*, continue to captivate viewers with their elegance and emotional depth. For those seeking a touch of refined drama and timeless grace, Reni's art offers a window into a world of unparalleled beauty.
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