Sammlung
Giovanni Battista Tiepolo
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Sechs Personen stehen und beobachten eine Schlange – Giovanni Battista TiepoloPrint · Framed
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Sitzender Magier, über Schädel nachdenkend – Giovanni Battista TiepoloPrint · Framed
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Zwei Zauberer und zwei Kinder – Giovanni Battista TiepoloPrint · Framed
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Der Reiter, der bei seinem Pferd steht - Giovanni Battista TiepoloPrint · Framed
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Der fröhliche Satyr und seine Familie - Giovanni Battista TiepoloPrint · Framed
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Alter Mann, der einen Affen an der Leine hält - Giovanni Battista TiepoloPrint · Framed
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Zephyr und Flora – Giovanni Battista TiepoloPrint · Framed
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Tod des Heiligen Onophrius - Giovanni Battista TiepoloPrint · Framed
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Magier und eine Schlange – Giovanni Battista TiepoloPrint · Framed
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Punchinello im Gespräch mit zwei Magiern – Giovanni Battista TiepoloPrint · Framed
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Historisierte Initialen - Giovanni Battista TiepoloPrint · Framed
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Der kleine Faun – Giovanni Battista TiepoloPrint · Framed
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Die Ruhe auf der Flucht nach Ägypten - Giovanni Battista TiepoloPrint · Framed
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Die Zeit und die Wahrheit – Giovanni Battista TiepoloPrint · Framed · Canvas
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Die Heilige Thekla betet für die Pestkranken - Giovanni Battista TiepoloPrint · Framed · Canvas
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Der Heilige Rochus - Giovanni Battista TiepoloPrint · Framed · Canvas
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Die Schlacht von Vercellae - Giovanni Battista TiepoloPrint · Framed · Canvas
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Madonna mit Kind - Giovanni Battista TiepoloPrint · Framed · Canvas
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Die Verkündigung – Giovanni Battista TiepoloPrint
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Der Heilige Rochus als Pilger - Giovanni Battista TiepoloPrint
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Die Apotheose des Aeneas - Giovanni Battista TiepoloPrint
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Allegorie des Verdienstes, begleitet von Adel und Tugend - Giovanni Battista TiepoloPrint
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Anbetende - Giovanni Battista TiepoloPrint
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Eurybates und Talthybios bringen Briseis zu Agamemnon – Giovanni Battista TiepoloPrint
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Artist Biography
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
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