Sammlung
Diego Velázquez
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Der Gekreuzigte Christus - Diego Velázquez
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Portrait of Francesco I d'Este - Diego Velázquez
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Infanta Maria Teresa - Diego Velázquez
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Equestrian Portrait of Philip IV - Diego Velázquez
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Joseph's Bloody Coat Brought to Jacob - Diego Velázquez
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Aesop - Diego Velázquez
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Democritus - Diego Velázquez
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Don Cristóbal Suárez de Ribera - Diego Velázquez
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The Temptation of Saint Thomas Aquinas - Diego Velázquez
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Portrait of Don Gaspar de Guzmán, Count-Duke of Olivares - Diego Velázquez
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Königin Isabel von Bourbon zu Pferde - Diego Velázquez
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Heiliger Paulus - Diego Velázquez
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Alte Frau beim Eierbraten - Diego Velázquez
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Die Übergabe von Breda - Diego Velázquez
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Die Rokeby Venus - Diego Velázquez
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Infantin Margarita Teresa in einem blauen Kleid – Diego Velázquez
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Der Narr Don Juan de Austria – Diego Velázquez
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Mariana von Österreich, Königin von Spanien - Diego Velázquez
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Drei Musiker - Diego Velázquez
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Porträt eines jungen Mannes - Diego Velázquez
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Abendmahl in Emmaus - Diego Velázquez
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Selbstporträt - Diego Velázquez
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Porträt eines Mannes mit Ziegenbart – Diego Velázquez
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Eine alte Frau beim Eierbraten - Diego Velázquez
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Artist Biography
Diego Velázquez
Philip IV sat for Velazquez once, was so pleased with the result that he decreed no other painter would ever paint his portrait again, and ordered all existing portraits by other hands to be withdrawn. Velazquez was appointed court painter and moved to Madrid. He was twenty-four.
He was born in Seville in 1599 and apprenticed at eleven to Francisco Pacheco, the city's most prominent painter and art theorist. He married Pacheco's daughter Juana. At court, he was not just a painter but a bureaucrat, holding successive administrative positions and eventually managing the decoration and logistics of royal events.
He owned an enslaved man, Juan de Pareja, who was himself a painter. In 1650, while in Rome, Velazquez painted de Pareja's portrait, now at the Metropolitan Museum of Art. The painting won him election to the Accademia di San Luca. That November, he granted de Pareja his freedom, effective after a four-year probationary period.
Las Meninas (1656) is the painting that breaks everything. Velazquez painted himself painting in the royal studio. The Infanta Margarita and her attendants occupy the foreground. A mirror in the background reflects the king and queen, implying they are standing where the viewer stands. The composition makes the artist, not the monarchs, the central figure. A red cross of the Order of Santiago appears on Velazquez's chest, but he was not awarded the knighthood until 1659, three years after the painting was completed. The cross was added later. Whether by the king himself, by Velazquez, or by de Pareja after the master's death remains disputed.
He died on 6 August 1660 in Madrid, shortly after organising the decorations for the marriage of the Infanta Maria Teresa to Louis XIV at the French border.
He was born in Seville in 1599 and apprenticed at eleven to Francisco Pacheco, the city's most prominent painter and art theorist. He married Pacheco's daughter Juana. At court, he was not just a painter but a bureaucrat, holding successive administrative positions and eventually managing the decoration and logistics of royal events.
He owned an enslaved man, Juan de Pareja, who was himself a painter. In 1650, while in Rome, Velazquez painted de Pareja's portrait, now at the Metropolitan Museum of Art. The painting won him election to the Accademia di San Luca. That November, he granted de Pareja his freedom, effective after a four-year probationary period.
Las Meninas (1656) is the painting that breaks everything. Velazquez painted himself painting in the royal studio. The Infanta Margarita and her attendants occupy the foreground. A mirror in the background reflects the king and queen, implying they are standing where the viewer stands. The composition makes the artist, not the monarchs, the central figure. A red cross of the Order of Santiago appears on Velazquez's chest, but he was not awarded the knighthood until 1659, three years after the painting was completed. The cross was added later. Whether by the king himself, by Velazquez, or by de Pareja after the master's death remains disputed.
He died on 6 August 1660 in Madrid, shortly after organising the decorations for the marriage of the Infanta Maria Teresa to Louis XIV at the French border.
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