Sammlung
Caspar Netscher
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Die Zeit stutzt Cupidos Flügel - Caspar Netscher
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Bildnis eines Herrn - Caspar Netscher
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Hieronymus van Beverningk wird von Maria Anna von Österreich in Audienz empfangen, 2. März 1671 - Caspar Netscher
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Theodoor Netscher (1661–1728), Der älteste Sohn des Künstlers – Caspar Netscher
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Margaretha Godin, Ehefrau des Künstlers - Caspar Netscher
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Porträt eines Mannes, vermutlich ein Mitglied der Familie Van Citters - Caspar Netscher
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Porträt einer Dame, möglicherweise ein Mitglied der Familie Van Citters - Caspar Netscher
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Helena Catharina de Witte (1661-95), Ehefrau von Iman Mogge, Herr von Haamstede – Caspar Netscher
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Porträt von Wilhelm III., Prinz von Oranien und Statthalter – Caspar Netscher
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Interieur mit einer Mutter, die ihrem Kind die Haare kämmt, bekannt als „Mütterliche Fürsorge“ - Caspar Netscher
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Cornelis Backer (1633-81), Ratsherr, Schöffe und Oberst der Bürgerschaft in Amsterdam - Caspar Netscher
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Porträt von Philippina Staunton, Ehefrau von Roelof van Arkel - Caspar Netscher
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Portrait of Maria Stuart, wife of Prince William III - Caspar Netscher
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Bildnis eines Mannes - Caspar Netscher
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Tochter und Sohn des Malers – Caspar Netscher
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Jacoba Bicker (1640-95), Ehefrau von Pieter de Graeff - Caspar Netscher
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Pieter de Graeff (1638-1707), Herr von Zuid-Polsbroek, Purmerland und Ilpendam. Schöffe von Amsterdam – Caspar Netscher
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Porträt von Constantijn Huygens (1596-1687) – Caspar Netscher
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Willem III (1650-1702), Prinz von Oranien und König von England – Caspar Netscher
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Artist Biography
Caspar Netscher
Netscher set out for Italy and got no further than Bordeaux. He had letters of introduction, a plan to complete his artistic education in Rome, and a ship booked. In Bordeaux he fell in love with Margaretha Godyn, married her in 1659, and never continued the journey. The rest of his career happened in The Hague.
He was born around 1639, probably in Heidelberg or Prague. His father, a sculptor from Stuttgart, died when Caspar was two. During the siege of Heidelberg his mother fled with four children; two older brothers died of hunger. He was placed with the painter Hendrick Coster in Arnhem, then became a student of Gerard ter Borch in Deventer. Ter Borch was the most important influence on his work; Netscher appears as a model in several of Ter Borch's paintings.
His portraits and genre scenes of The Hague's fashionable society were painted with a precision that earned comparisons to Vermeer. He rendered fabrics, lace and reflected light with miniaturist exactitude. Cosimo III de' Medici bought his work. He kept drawings of finished paintings as records (ricordi), noting prices, patron names and colour choices.
He was plagued by gout but remained productive, sometimes painting from bed. Two of his sons, Constantyn and Theodorus, became painters in his style. A third, Anthonie, emigrated to Batavia. He died in The Hague in 1684, at about forty-five.
He was born around 1639, probably in Heidelberg or Prague. His father, a sculptor from Stuttgart, died when Caspar was two. During the siege of Heidelberg his mother fled with four children; two older brothers died of hunger. He was placed with the painter Hendrick Coster in Arnhem, then became a student of Gerard ter Borch in Deventer. Ter Borch was the most important influence on his work; Netscher appears as a model in several of Ter Borch's paintings.
His portraits and genre scenes of The Hague's fashionable society were painted with a precision that earned comparisons to Vermeer. He rendered fabrics, lace and reflected light with miniaturist exactitude. Cosimo III de' Medici bought his work. He kept drawings of finished paintings as records (ricordi), noting prices, patron names and colour choices.
He was plagued by gout but remained productive, sometimes painting from bed. Two of his sons, Constantyn and Theodorus, became painters in his style. A third, Anthonie, emigrated to Batavia. He died in The Hague in 1684, at about forty-five.
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