Sammlung
Adriaen Van Ostade
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Schweineschlachtung auf einem Bauernhof – Adriaen van OstadePrint · Framed
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Interieur einer Schenke – Adriaen van OstadePrint · Framed · Canvas
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Bauer, der an seiner Tür lehnt - Adriaen van OstadePrint · Framed · Canvas
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Die Familie – Adriaen van OstadePrint · Framed · Canvas
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Der Bäcker, der sein Horn bläst – Adriaen van OstadePrint · Framed · Canvas
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Der Brillenhändler - Adriaen van OstadePrint · Framed · Canvas
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Mutter, ihr Kind in einem Hauseingang haltend - Adriaen van OstadePrint
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Ruhende Reisende - Adriaen van OstadePrint
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Das Frühstück - Adriaen van OstadePrint
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Die beiden Klatschbasen - Adriaen van OstadePrint
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Raucher, der sich an die Stuhllehne lehnt - Adriaen van OstadePrint
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Der Spielstreit – Adriaen van OstadePrint
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Der Bäcker, der sein Horn bläst – Adriaen van OstadePrint
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Der Brillenhändler - Adriaen van OstadePrint
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Die Spinnerin – Adriaen van OstadePrint
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Die Trinkgelage – Adriaen van OstadePrint
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Das Schweineschlachten - Adriaen van OstadePrint
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Mann und Frau im Gespräch – Adriaen van OstadePrint
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Tanz in der Schenke - Adriaen van OstadePrint
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Der Scherenschleifer - Adriaen van OstadePrint
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Die Frau, die eine Haspel aufwickelt - Adriaen van OstadePrint
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Die spinnende Frau - Adriaen van OstadePrint
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Büste eines lachenden Bauern - Adriaen van OstadePrint
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Büste einer Frau - Adriaen van OstadePrint
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Artist Biography
Adriaen Van Ostade
In 1672, the Year of Disaster, Van Ostade packed his belongings and tried to flee Haarlem for Lubeck. He got as far as Amsterdam, where the art collector Konstantyn Sennepart talked him into staying. He remained in the city for a time, producing a series of coloured drawings in Sennepart's house, then returned to Haarlem. He had been there his entire life and would stay until the end.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
He was born in Haarlem in 1610, the eldest son of a weaver from the hamlet of Ostade near Eindhoven. He and his younger brother Isaack (also a painter) adopted "van Ostade" as a professional name. Both studied under Frans Hals, though neither absorbed much of Hals's style. The stronger influence on Adriaen was Adriaen Brouwer, whose earthy peasant scenes and tavern interiors set the template that Van Ostade refined over five decades.
His subjects were the daily activities of common people: peasants drinking, smoking, fighting, making music, gathering at fairs. The early paintings are rough and dark; as his career progressed, the interiors became lighter, the compositions more carefully arranged, the figures less grotesque. He was enormously productive. Estimates of his total output range from 385 to over 900 paintings, and at his death his studio contained more than two hundred unsold works.
In 1657 he married Anna Ingels, a wealthy Catholic woman from Amsterdam, and appears to have converted to Catholicism himself. He continued painting without decline into old age; two of his latest dated works, from 1676, show no weakening. He was buried in Haarlem in 1685, at seventy-four.
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