Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Zefyr och Flora - Giovanni Battista Tiepolo
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
En klassisk venetiansk rokokomålning av Giovanni Battista Tiepolo, som skildrar Zephyrs och Floras mytologiska förening i en ljus, luftig komposition.
Giovanni Battista Tiepolo, en mästare inom den venetianska rokokon, skapade detta verk som en del av en serie överdörrsmålningar för Palazzo Sandi i Venedig. Kompositionen skildrar Zephyrs, västanvinden, och Floras, blomgudinnan, mytologiska förening. Tiepolo använder en ljus, luftig palett som kännetecknar hans takfresker och dekorativa dukar, med mjuka blåa, krämiga färger och inslag av vermilion för att definiera figurerna mot en himmelsk bakgrund.
Figurerna är arrangerade i en dynamisk, diagonal formation, ett kännetecken för Tiepolos rumsliga organisation. Zephyr visas med genomskinliga vingar, hans form muskulös men graciös, medan Flora är draperad i flödande tyger som antyder rörelse och viktlöshet. Inkluderandet av putti, eller kerubiska figurer, bidrar till känslan av lätthet och mytologisk lekfullhet som är vanlig i 1700-talets venetianska dekorativa konst. Dukens ovala format bestämmer arrangemanget och tvingar ögat att följa kropparnas och de böljande draperiernas kurvor.
Tiepolos penselföring är flytande och självsäker, vilket möjliggör skildringen av ljus när det fångar huden och vecken på kläderna. Målningen undviker tunga skuggor och väljer istället en lysande kvalitet som återspeglar konstnärens skicklighet i att skapa atmosfäriska effekter. Detta verk visar konstnärens förmåga att översätta klassiska teman till ett dekorativt språk som passar de venetianska adelsmännens storslagna interiörer. Fokus ligger på figurernas elegans och kompositionens harmoni, snarare än en strikt följd av anatomisk styvhet. Det är ett tydligt exempel på den lättsamma, dekorativa estetik som definierade de senare stadierna av den italienska barocken och övergången till rokokon.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Zefyr och Flora - Giovanni Battista Tiepolo
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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