A powerful lithograph by Ernst Barlach depicting a scene from Goethe's ballad, characterised by heavy, expressive lines and dramatic shadow.

This lithograph by Ernst Barlach depicts a scene from the ballad 'Der König in Thule' by Johann Wolfgang von Goethe. Barlach, a sculptor and graphic artist, brings his characteristic heavy, sculptural approach to the medium of printmaking. The composition captures the moment the monarch casts his golden goblet into the sea, a gesture of grief and finality.

Barlach employs a rough, gestural line quality that suggests the weight and volume of the figures. The king stands on the left, his cloak rendered with dense, dark strokes that contrast against the lighter, more open areas of the interior space. The surrounding figures are hunched and shadowed, creating a sense of claustrophobia and solemnity. The stark contrast between the dark, textured areas and the paper surface creates a dramatic atmosphere typical of Barlach's graphic work.

Unlike the smooth lines of classical illustration, Barlach uses a jagged, almost primitive mark-making style. This technique draws attention to the emotional gravity of the narrative rather than anatomical precision. The figures appear grounded and solid, reflecting the artist's background in wood carving and bronze casting. The architectural elements are minimal, serving only to frame the figures and direct the viewer's eye toward the king's decisive action. This print is part of a series where Barlach explored themes of human suffering, isolation, and the weight of tradition. The work remains a clear example of his ability to translate literary themes into a visual language that prioritises raw emotional expression over decorative detail.